Charlotte Hug
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“By reinterpreting her own drawings “Son-Icons” made on site – with extraordinary results. So far the sonic potential of the viola has remained unexplored. Not any more.” DAN WARBURTON – PARISTRANSATLANTIC “The entire world in a viola…“ MÜNCHNER ABENDZEITUNG "Charlotte Hug is a brilliant violist, improviser and performer who uses such idiosyncratic inventions as the 'soft bow' … the music grows out of a dialogue between the visual and the acoustic." JOHN PITT - NEW CLASSICS "Viola unbound… 'Delirum' is wild and furious, an improvisation that swings between euphoria and madness." UELI BERNAYS NZZ “Charlotte Hug se sert du violon comme d’une matière vivante, prolongement ardent de son proper corps.” "Swiss violist Charlotte Hug, who demonstrates here how traditional training and idiosyncratic bowing techniques can be brought together." KEN WAXMAN “Sonic landscapes…beyond imagination.” FREDERICK MARONGIS - MUSIC EXTREME BUENOS AIRES “Il a fallu peu de temps à Charlotte Hug pour s’imposer parmi les improvisateurs européens...“ GUSTAVE CERUTTI IMPROJAZZ “Mêlant aux accents de son instrument les exhalaisons naturelle d’une voix généreuse…” IMPROJAZZ “Charlotte Hug is finding new and fertile ground for string instruments in electroacoustic settings… she is well worth keeping an eye on.” MICHALE ROSENSTEIN - SIGNAL TO NOISE “Charlotte Hug, a young viola-player who applied much the same vigorously energy to the fiddle that Ornette Coleman once did.” Q MAGAZINE |